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By January 19, 2018 Read More →

CHILDREN’S THEATRE MAGAZINE FEATURE: Twitter accounts to follow of producing companies

Ugly Duckling Production_Mark Dawson Photography_DSC_0609

Travelling Light is an innovative company creating theatre for children and families. This is from The Ugly Duckling staged at The Tobacco Factory. Pic Mark Dawson

Towards the end of 2014, Flossie Waite and her colleagues put together a list of children’s theatre-related Twitter accounts to follow on her website https://childrenstheatrereviews.com/

Last year they updated the list as the numbers have grown. The list includes individuals, venues, companies, festivals and organisations that are creating, supporting, presenting or writing about theatre for young audiences. And it keeps on getting longer as more people take an interest in the creative and long neglected genre. Here is part one of that ever increasing list – fully updated since last year by Harry Mottram:

Producing companies
@A1000Cranes A Thousand Cranes was co-founded by artistic directors Kumiko Mendl & Vicky Ireland. The company aim to bring the ‘stories, traditions, art forms and artists of Japan’ to children’s theatre in the UK.
@floodsofink When we first encountered Floods of Ink in 2014, it was hard to believe they were an emerging company, as their work was already so accomplished and polished. A few years later, and Floods of Ink are continuing to create high-quality work for young people, whether their audience are under six or teenagers.
@CWheelsTheatre Award-winning company Catherine Wheels have toured across the world, including to New York, where Sex and the City star Sarah Jessica Parker described show White as ‘the best 40 minutes of my life’.
@feveredsleep Fevered Sleep’s artistic, surreal tweets are always a joy. The company make brave, experimental, challenging new work in performance, installation, film, publication and digital art.
@tuttifruttiprod tutti frutti work with acclaimed playwrights like Mike Kenny and Emma Reeves to create new shows with original scripts that are both entertaining and relevant to their young audience.
@theatriolo Theatr Iolo want to welcome babies to the theatre at 6 months old, and continue to create work that will engage and excite them for the rest of their life.
@oilycart Oily Cart create multi-sensory, immersive and highly interactive productions for very young children (aged 6 months – 6 years), and for young people (aged 3 – 19) with profound and multiple learning disabilities, who have an autism spectrum condition, or who are deafblind.

Oily Cart's In a Pickle with the RSC brought a Shakespeare play to life

Oily Cart’s In a Pickle with the RSC brought a Shakespeare play to life

@hullabalootweet Theatre Hullabaloo, based in the North East, make, tour and promote high quality theatre for young people, who they consider the most important audience of all. They also produce the annual TakeOff Festival.
@TCLive Theatre Centre have been touring new writing to venues and schools around the country for over 60 years. The company aim to encourage youth activism and empower young leadership through the arts.
@20StoriesHigh Our first experience of 20 Stories High was their 2016 co-production with Theatre-Rites, The Broke ‘N’ Beat Collective; even now, we can’t stop thinking about it. The Liverpool-based company make theatre with and for young people, producing work that is honest, political and challenging.
Facebook: hetfiliaaltheatermakers The multi-layered, entertaining work of Het Filiaal, who are based in the Dutch city of Utrecht.
@KOPERGIETERY Kopergietery is actually a children’s arts centre in Gent, though they tour their unpredictable, zany, beautiful work outside of Belgium. We came into contact with them at the 2016 Edinburgh International Children’s Festival.
@ZooNationUK Watch a ZooNation production and your face will hurt from smiling. Responsible for the first ever hip hop dance production on the West End, the company often adapt fairytales and children’s books using their own high-energy, humorous, imaginative style.
@PetitsTheatre Les Petits Theatre Company is the children’s arm of the acclaimed Les Enfants Terribles. Les Petits adapt children’s books, both new (David Walliams’ The First Hippo on the Moon) and old (Lewis Carroll’s Alice In Wonderland).
@Freckle_Prods Jennifer Sutherland, co-founder of the multi-award winning Scamp Theatre, recently launched Freckle Productions. The new company will continue to focus on productions for children, young people and families, but with a broader output of work: as well as stage adaptations, there will be original and emerging tales, ancient stories, and explorations of science and the environment.
@tl_theatre Bristol-based Travelling Light Theatre Company have been making highly visual, story-led theatre for young audiences for over 30 years.
@birminghamstage Since 1992, the Birmingham Stage Company have produced over 80 productions for adults and children. Most recently, these have included popular adaptations of the Horrible Histories series, of Roald Dahl’s books, and David Walliams’s recent releases.
@2_ndhanddance Second Hand Dance keep children central to their creative process, working with young people to develop and play with ideas for their shows.
@TurnedOnItsHead Turned On Its Head create interactive theatrical experiences for the very young, with their productions encouraging and offering opportunities for children and adults to engage and play together.
@wrongsemble Wrongsemble pride themselves on creating shows accessible to everyone, ‘from the young of passport to the young of heart’.
@Papertaleshows Papertale is the spoken word theatre company led by Rosemary Harris. Papertale’s lyrical productions confront important topics, from gender identity to asylum-seeking.
@reallybptheatre Really Big Pants Theatre Company pull each performance (and pair of big pants) out of their huge travelling trunk. Often tied to educational themes, their productions aim to complement the primary school curriculum.
@_oldsaw Old Saw create productions from their base in Northwest Iceland. Recent shows have been for very young children, like Meadow aimed at ages 3-6, and Duvet Day, for babies and toddlers aged 0-18 months.
@frozentheatre Frozen Light Theatre Company was created by two friends who met at university and went on to develop their own form of multi-sensory theatre for audiences with profound and multiple learning disabilities.
@bigwintheatre Key to Big Window Theatre’s ethos is creating work that is accessible to all, culturally, financially and geographically. They also collaborate with local practitioners, venues and companies in order to promote and develop theatre within the East Midlands.
@PiedPiperLive Another long-standing company is Pied Piper Theatre, who have been producing plays for young audiences since 1984. While originally much of Pied Piper’s work was new writing by Artistic Director Tina Williams, the company also tour new adaptations, like the Janet and Allan Ahlberg classic Burglar Bill.
@TravelledC Travelled Companions create original shows for young audiences; they perfectly pitch their engaging productions to meet children at their level.
@filskittheatre Filskit, a trio of theatremakers, have been using multimedia technology (in particular, projectors) to create high-quality children’s theatre since 2009.
@TheatreLovett Irish company Theatre Lovett create imaginative, fun, surprising and daring productions for young audiences.
@thewidders Widdershins Theatre tell fairytales, folk tales and myths from around the world using puppetry and quirky props.

Running Wild by Air Theatre with Ava Potter as Lilly with Oona. Photo Johan Persson.

Running Wild by Air Theatre with Ava Potter as Lilly with Oona. Photo Johan Persson.

@TheatreAlibi Theatre Alibi draw on a variety of art forms to tell their stories, with recent productions including puppetry, animation, film, photography and music.
@GomitoTheatre Gomito Theatre is a collaboration between an ever-changing collection of artists. With each performance, the company aim to bring an all-age audience of story-lovers together.
@pinsandneedles0 Pins and Needles Productions have gained praise for their stellar adaptations of Raymond Briggs’ work – in their review of The Bear, The Guardian said ‘move over War Horse, this polar puppet is magic’.
@Bamboozlenews Bamboozle Theatre create multi-sensory theatrical experiences for young people with moderate to profound learning difficulties, and young people with emotional and behavioural difficulties.
@HorseandBamboo Horse + Bamboo is a puppet and mask company that have been creating theatre for almost 40 years. As well as touring their work, the company host a programme of productions, workshops, an annual puppet festival and more at The Boo, their venue in Lancashire.
@ATTtweet Action Transport Theatre put children at the heart of their creative process; each of their productions is a result of this collaboration.
@wriggledance Wriggle Dance Theatre create interactive dance performances for young children and their families. Community outreach and engagement accompanies every production, to reach and introduce new audiences to.
@StarcatchersUK Starcatchers is Scotland’s National Arts and Early Years organization, specializing in theatre and creative experiences and activity for children aged 0-5.
@hellolittleblue Little Blue Monster have taken over from Blunderbus. East Midlands company that create shows based on popular children’s books, like Oliver Jeffers’ Lost and Found, and their own original stories
@LongNosePuppets In just over a decade, Long Nose Puppets have created four puppet shows for children that have been performed in all sorts of places, from the National Gallery to Downing Street.
@ReplayTheatreCo Based in Northern Ireland but touring internationally, Replay Theatre Company create theatre for young people under the age of 19. In 2015 they created the world’s first ever BabyDay, offering over 80 events across venues in Belfast
@scamptheatre Scamp Theatre produce adaptations of hugely successful children’s literature; most recently, a collaboration with Julia Donaldson and Axel Scheffler has seen Scamp bring The Scarecrows’ Wedding and Stick Man to the stage.
@KazzumArts Kazzum create ‘playful theatre in unusual places’, whether that’s a festival, a shopping centre or a car park.
@TheatreRites Theatre-Rites have been creating experimental theatre for children since 1995. With their ‘object-led’ theatre, Theatre-Rites have produced site responsive pieces as well as toured shows nationally and internationally.
@garlic_theatre Garlic Theatre create imaginative, sometimes surreal, highly visual puppet theatre for young audiences and their families.
@ripstoptheatre Created by theatremaker Zannie Fraser, Ripstop Theatre initially produced shadow theatre for young audiences, though their work has since developed to include other forms of puppetry and storytelling, always expertly designed.
@WizardPresents Wizard Presents’s hugely successful adaptations of Michael Morpurgo’s books Why The Whales Came and I Believe In Unicorns have been seen by tens of thousands of children all over the country.
@fishngame Fish And Game, the Glasgow-based performance company, create shows ‘straddling theatre, live art and visual art’. Over the past few years, their polar bear-inspired shows have toured both nationally and internationally.
@TellTaleHeart Tell Tale Hearts devises and tours accessible participatory theatre for children that combines installation, puppetry, performance, music and projection.
For more theatre companies and children’s theatre visit

https://childrenstheatrereviews.com/ 

and http://www.harrymottram.co.uk/?page_id=884
Please note these were Twitter accounts were correct on 31 Dec 17

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