Tony Wilson as the Rev Gould’s fighting partner centre – with from left Chris Jarman as the Narrator, Phil Saunders as the Rev Gould, Sarah Kendall as The Wench and Harry Mottram as The Second at Cecil Sharp House

Pageant fever! Historical pageants and the British past. An exhibition and drama at Cecil Sharp House, London

Paul Readman of Kings College in London has released photographs of the Axbridge Community Theatre production on Saturday 8th August 2021 at Cecil Sharp House in London.

Hannah More (Sian Tutill) triumphs over the collapsed Rev Gould (Phil Saunders)

Members of Axbridge Community Theatre performed a short preview play for the Axbridge Pageant in 2022 in Cecil Sharp House in London as part of the Historical Pageants Day on August 7th which will be repeated this winter in the town.

Cecil Sharp (Harry Mottram) notates a folk song sung by Ede Bailey as Emma

The play was performed in the evening while during the day the exhibition Pageant Fever! Historical Pageants and the British past featured talks, exhibitions and performances of historical pageantry from local history organisations, museums, theatre groups, musicians and dancers. (There are details at the website

The finale

The production directed by John Bailey featured scenes from the Monmouth Rebellion, the Reverend Gould and Hannah More scene as well as the arrival of Cecil Sharp in the town.

Sian Tutill as Dummer gave a report written at the time of the Battle of Sedgemoor

The cast included Phil Saunders, Jo and Tony Wilson, Ede and John Bailey, Sarah Kendall, Harry Mottram, Sian Tutill and Chris Jarman who was the narrator. Tina Salvidge operated sound and lighting in the main hall of the house which had been the venue for an event celebrating pageantry.

The cast prepare to take the stage

The play was performed in the evening while during the day the exhibition Pageant Fever! Historical Pageants and the British past featured talks, exhibitions and performances of historical pageantry from local history organisations, museums, theatre groups, musicians and dancers. 

Chris Jarman introduces the show

The performance was well received by the audience and the organisers Paul Readman of Kings College in London and Mark Freeman of UCSL described it as ‘outstanding.’

The scene in the main hall at Cecil Sharp House

John Bailey said: “All the hard work was worth it. Was extremely well received. King’s College thought that it was a remarkable performance.”

Also on the evening bill was Somerset’s Amanda Boyd, known as Mrs Price’s Parlour who was accompanied by Trevor Bailey (no relation) and Daniel and Abi Shaw.

The Artistic Director of the Pageant John Bailey said: “We are cautiously optimistic that the 2022 Pageant will be able to take place as long as life looks to be returning to normal, by the end of this year. If it does then we will be ramping up preparations for ticket sales, casting, costuming, construction, promotion and fundraising.”

Paul Readman explained about the pageant day in London:

This exhibition focuses on the folk music and dance that were performed in historical pageants. It is staged by the Redress of the Past project in association with the English Folk Dance and Song Society.

Historical pageants presented the history of communities through a series of scenes featuring notable people and events from local history, myth and legend. They had a significant cultural impact, and often showcased the folk arts, including dance and song. Right from the start, morris dancing and maypoles were widely featured, especially in episodes depicting the ‘Merrie England’ of Elizabeth I. Parker’s pageants were also known as ‘folk plays’, and other early ‘pageant-masters’ such as D’Arcy Ferrars were closely involved with the first folk revival. Ferrars was a particular fan of sword dancing, and worked with Cecil Sharp to revive this lost English art.

The English Folk Dance and Song Society (EFDSS) was closely associated with the pageant movement. Some of its key figures were heavily involved. Ralph Vaughan Williams collaborated with E. M. Forster (of Howards End and Passage to India fame) on two important pageants in Surrey – at Abinger (1934) and Dorking (1938). The second of these, ‘England’s Pleasant Land’, tackled the issues of rural depopulation and decline, its proceeds going towards campaigns to preserve the countryside and its footpaths.

Earlier, the Winchester branch of the English Folk Dance Society (which merged into EFDSS in 1932) had staged its own Folk Dance Pageant in 1929. This told the story of folk dance from the time of Henry IV to the twentieth century. All songs used in the pageant had been collected by Cecil Sharp.

Even in big-city pageants, folk dance and song were important. At Manchester in 1938, Vaughan Williams’s music featured, including his arrangements of traditional folk songs. Hundreds of EFDSS members took part in public demonstrations of folk song and dance that ran alongside this pageant – a common feature of pageantry between the wars.

Pageants continued to thrive after the Second World War, with EFDSS and its people retaining a key role. Arthur Swinson, secretary from 1946 to 1949, was ‘marshal of the arena’ at St Albans in 1948, and EFDSS local organiser Mollie Du Cane was ‘mistress of the folk dance’. Du Cane reprised this role in the St Albans Coronation pageant of 1953, in which EFDSS members took part in three of the ten scenes. Here, there was a maypole dance, and songs included versions of ‘Summer is Icumen in’, ‘All in a Garden Green’ and the ‘Agincourt Song’.

Like folk revivalism itself, historical pageants can be seen as conservative, nostalgic events, but they did not have to be. Some more radical elements of the folk revival were involved. A. L. Lloyd, for example, assisted the Workers’ Musical Association with ‘Music for the People’, a pageant staged by Alan Bush in the Albert Hall in 1939 to support the left-wing Popular Front. The Labour Choral Union performed in this pageant, which depicted the Peasants’ Revolt, the Diggers and Levellers, and the French Revolution – as well as featuring, yet again, the music of Vaughan Williams.

The final scene in 2010

Axbridge Pageant

The pageant is a two hour long history play based on the town’s past starting in Romano-Britain and ending in the 21st century with scenes that include a Saxon v Dane battle, the Lady Day Fair, the Monmouth Rebellion and the coming of the train and motor cars. It features a cast of hundreds with many roles behind the scenes including photographers, dressers, make-up artists, designers and marshals.

The pageant is set to take place at 3pm daily over the Bank Holiday weekend of Saturday-Monday from August 27-29, 2022.

For more news, features and photos on the pageant visit and